I frequently receive messages like this: “I’ve seen a bunch of your ink tests over the months and one thing I’m unclear on is – how do we use these for our ink selection? Does […]
I frequently receive messages like this: “I’ve seen a bunch of your ink tests over the months and one thing I’m unclear on is – how do we use these for our ink selection? Does […]
For the cost of the pen customisation money isn’t really an issue. Okay, it needs instant cleaning afterwards! But for the freeform calligraphic effect of the Diamine Silver and Gold on black paper… it’s worth every penny! […]
Well, well, well. Thirty one of these inks tested in total and half way through I got the strangest feeling of ‘Déjà vu’. But before I go into that, a little bit about Akkerman. It’s a Dutch brand, […]
Background of Diamine inks blended togther on watercolour paper. Abstract calligraphy created with automatic pen. These four ink cards commissioned by Pure Pens Here are the other 3 designs with bleach detailing for the illustrations: The […]
Just some of beautiful illuminated ‘R’s created during the Illuminating Beasts project at Rochester Cathedral. With 68 students (ranging from ages 6 to 82 years – some with special needs), 12 small bottles of various coloured Diamine fountain pen inks, 16 […]
In order to raise finances to cover some of my costs I’m selling the test pieces that I create. The test pieces measure 140mm x 140mm which is as big as I can realistically go using […]
I sourced these Cult Pen Diamines from Vijay at Stationery Shop. He has an amazing collection of inks (circa 700 and counting). He’s based up in Edinburgh and supplies sample vials of ALL his stock at very […]
These Platinum samples were sourced from Rachel and Brian at Goulet Pens. 15 have been put to the test in total. The 9 you can see as a block are mostly from the Mix Free […]
Having learnt to sail on the River Medway, in the days when Chatham Dockyard was still a Royal Navy base, the experience was one that has never left me. I have spent the majority of […]
Last Saturday I ran 2 workshops on behalf of Rochester Cathedral to celebrate one of the UK’s oldest manuscripts – the Texts Roffensis. The above illustration was a test piece to show how the inks behave […]